O HOMEM QUE COPIAVA (The Man who copied)

(35 mm, 124 min, color, 2003)
FULL CAST AND CREW
 
CAST (by appearance order)
Lázaro Ramos (André)
Renata de Lélis (market cashier #1)
Sérgio Lulkin (market cashier #1)
Heitor Schmidt (Mr. Gomide Bolha)
Janaína Kremer Mota (Mrs. Maria Bolha)
Gregory Garcia (Guigo Bolhinha)
Sheron Menezes (Smart girl)
Carlos Cunha Filho (Antunes)
Leandra Leal (Sílvia)
Giovana Fázio (Sonnet girl)
Luana Piovani (Marinês)
Marcelo Aquino (German boyfriend)
Roger Oliveira (André as a child)
Pedro Furtado (Mairoldi voice)
Tereza Teixeira (André´s mom)
Lurdes Eloy (André´s mom voice)
Artur Pinto (Man that go to bed late)
Irene Brietzke (market client #2)
Nadya Mendes (market client #2)
Renato Campão (market manager #2)
Júlio Andrade (Feitosa)
Zé Adão Barbosa (Dredge man)
Sílvia Margarida Peixoto (store attendent)
Pedro Cardoso (Cardoso)
Sandra Possani (Bank cashier)
Lisa Becker (Lottery house cashier#1)
Ana Paula Serpa (Lottery house cashier#2)
Marco Sório (Disgusted man)
César Figueiredo (Man that dances with Marinês)
Kike Barbosa (Man that exchange money)
Alexandre Cebola (Guard at the armoured car #1)
Nelson Diniz (bus collector)
Carlos Busatto (bank manager)
Felipe Mônaco (car salesman)
Milene Zardo (clothes saleswoman#1)
Madeleine Müller (clothes sales woman #2)
Antonio Carlos Falcão (hotel host)

Jader Cardoso (TV news speaker)
Paulo José (Paulo)
 
CREW
Screenplay and directed by: Jorge Furtado
Director assistant: Ana Luiza Azevedo
2nd director assistant: Marcio Schoenardie
Continuist: Bel Merel
Executive producers: Nora Goulart
/ and Luciana Tomasi
Executive producer assistant: Débora Peters
Production manager: Marco Baiotto
Casting by: Cynthia Caprara
Casting assistant: Bianca Loretto
Production assistants: Betânia Furtado
/ Denise Cavol
Base Production: Kika Sousa
Set Production: Marnei Pereira
/ Bolivar Lauda
/ Jefferson Porto
Photographer: Alex Sernambi
Camera operator: Fabian Silbert
1st Camera assistant: Juliano Lopes
2nd Camera assistant: Adnan Lopes
Vídeo operator: Nelson Azevedo
Still: Ana Luz
/ Carlos Gerbase
Making-of: Eduardo Izquierdo
Main electrician: Guilherme Kroef
Electricians: Deloir Rodrigues
/ Volmar Beck
/ Marco da Silva
Main engine driver: Amaral Júnior
Engine drivers: Julião Rossi
/ Luis Dutra Zoreia
/ Nelson Abreu
Crane operator: Paulo Verri
Aditional cameras: Roberto Henkin
/ Jorge Henrique Boca
Aditional câmera assistant: Onairo C. S. Junior
Art director: Fiapo Barth
Costumes: Rosângela Cortinhas
Scenography by: Silvia Guerra
Art production: Pierre Olivé
Scenography production: Aline Rizzotto
Art assistant: Patricia Pedruzzi
Costumes assistants: Marisa Carboni
/ Claudia Velasco
Graphyc Production: Kátia Prates
Art trainee: Patricia Francisco
Stage manager: Lelo Almeida
Make-up by: Nina Empinotti
Hair by: Sandro Rosa
Main scenographyst: Vilson Mendonça
Scenographyst assistants: Wanderlei Salles
/ Daniel Mendonça
Sound: Cristiano Scherer
Boom operator: Guilherme Algarve
Sound assistant: Rafael Rodrigues
Animation director: Allan Sieber
Production: Lica Stein
/ and Denise Garcia
/ TOSCOGRAPHICS
Animation: Sacha Geiffman
/ Fernando Miller
Clean-up: Sacha Geiffman
/ Fernando Miller
/ Fabio Cassula Eis
Scanner e painting: Fabio Cassula Eis
Animation editor: Silvia Guimarães
Aditional animation: Lisandro Santos
/ Walter Pax
/ Tadao Miaqui
Initial Credits: Mário Fontanive
Musical direction and performance: Leo Henkin
Cello: Celau Moreira
Drums: Sidney Schames
Vocals: Jáder Cardoso
/ Renata Adegas
/ Santiago Neto
Recording and mixer technician: Gabriel Schmidt
Music Studio crew: Cintia
/ Nicole
Edited by: Giba Assis Brasil
Editor assistant: Alfredo Barros
Post-production production: Eliane Ferreira
Post-production assistant:Fabio Donzelini
Dialogue editor: Luiz Adelmo
/ Nathalia Rabczuk
Foley and effects editor: Luiz Adelmo
Foley: Antônio César
Dolby consultant: Carlos Klachquin
Mixers: José Luiz Sasso
/ Pedro Sérgio
/ Luiz Adelmo
TELEIMAGE CREW
Post-production supervision: Marcelo Siqueira, ABC
Operational co-ordination: Ewa Wawelberg
Operational assistants: Adenilson Muri Cunha
/ Cássio Martini
/ Marco Antônio Prado
/ Ana Luiza Ambrogi
/ Karina Vannes
Digital effects: Robson Sartori
/ Eduardo Sallas
/ Renato Merlino
/ Waldo Caetano
/ Rogério Merlino
/ Homero Arce
/ Rodrigo Barba
Telecine operators: João Teodoro
/ Gigio Pelosi
Film Recorder: Ariel Wollinger Martins
/ Homero Arce
/ Renato Merlino
/ Rogério Merlino
/ Thiago Belconfine
Assist. Film Recorder: Anderson Penci
Editor assistants: Elizeu Ferreira
/ Gilberto Caldas
/ Ricardo Trusnovec
/ Ricardo Vieira
/ Bruno Queriquelo
/ Rogério Marinho
/ André Tracking
MEGACOLOR CREW
General Supervision: José Augusto De Blasiis
Attendent co-ordination: Jessica M. Sayon
Stave co-ordination: Roseli Fernandes
Color Analizer Dixi Operator: Norio Oshikawa
Phot sync and editing: Rosa Cavichioli
Phot paste-up: Nilza de Moraes
Editor assistant: Priscila Cavichioli
CURT & ALEX CREW
General supervision: David Trejo
Transcript supervision: Wilson Regis
Dolby Digital transcript: Milan & Agnes
Stunt co-ordination: Anderson de Souza
/ DUBLÊS BRASIL
Technician: Cláudio Araújo
Stunts: Fábio Giangiacomo
/ Gerson Pinheiro
Assistant: Claudimar Guimarães
DRIVERS
Gustavo Gomes
/ Hugo Biollo
/ Gerson Fagundes
/ Rafael Viana Silva
/ Carlos Silva
/ Roberto Assunção
/ Mauro Rabello
/ Jorge Rosa
/ Luciano Pereira
/ Leandro Mercanti
/ Paulo Roberto
/ Julio Montagna
/ Claudemir Viana
/ Alexander Castanho

Press adviser: Lelei Teixeira
/ Vera Carneiro
/ PAUTA COMUNICAÇÕES
Website: Ricardo Kudla
/ STUDIORAMA
Web reporter: Giuseppe Zani
Financial: Laura Enrich de Castro
Jurical adviser: CA 5 - Angelo Coelho
Warehouse: Jefferson Porto
Alimentation: Nery Becker
Alimentation assistant: Claudiomiro Silva
General services: Rúbia Lopes
Bodyguards: Hércio Terra de Souza
/ Paulo Roberto
RIO DE JANEIRO CREW
Production: Denise Garcia
/ Lica Stein
/ TOSCOGRAPHICS
Production assistant: Analu Tannuri
Make-up: Celeste Randall
Sound: Zezé D'Alice
Boom operator: Paulo Costa
Sound assistant: Carlos Seixas
Electrician: Olívio Lima
Electrician assistant: Anderson Mattos
Engine driver: Vitor Cesar Reis
Engine driver asssitant: Carlos Niedsen
Alimentation: Sabor em Cena
Drivers: Carlão Anchieta
/ Altair da Silva Filho
/ Francisco Santos
/ Renato Nascimento
Dressing Bus: Breda Rio
SUPPLIERS
Film: Kodak Eastmancolor
Camera equipment: JKL
Ligth equipment: Quanta
Scenic effects McGyver - Prunes e Costa
Image lab.: Cinema e Cinecolor
Trick lab.: Mega Color
Telecine and digital effects: Teleimage
Mixer studio: JLS Facilidades Sonoras
Music studio: Pop Club
Sound editing studio: Crug Filmes
Sao Paulo transportation: Van Cinema
Rio transportation: Jato de Anchieta
/ Roadstar
Express Mail: Polo Transportes
Digital edited in Final Cut Pro
/ with Cinema Tools
ARCHIVE
Soneto de William Shakespeare
/ "Quando a hora dobra..."
/ tradução de Ivo Barroso
/ Editora Nova Fronteira
trecho do filme "Teixeirinha a sete provas"
/ autorizado por
/ Teixeirinha Produções Artísticas
/ e Fundação Vitor Mateus Teixeira
/ www.teixeirinha.cjb.net
imagens Pelé / Copa do Mundo 1970
/ adquiridas de
/ TV Cultura São Paulo
/ e acervo pessoal de
/ José Maria Pereira Lopes
imagens TV (lobo marinho, torcidas)
/ entilmente cedidas por
/ RBS TV Porto Alegre
SONGS
"Travellin' band"
(John Fogerty)
Creedence Clearwater Revival
direitos autorais e fonográficos:
BMG Brasil
"Sinfonia Júpiter"
Sinfonia n§ 41, C-dur, KV 551
2§ movimento - andante cantabile
Wolfgang Amadeus Mozart
direitos fonográficos: Movie Play
Concerto duplo para 2 violinos e orquestra,
D-minor, BWV 1043
3§ movimento - allegro
Johann Sebastian Bach
direitos fonográficos: Music Tape
OP. CIT.
"Vida, modo de usar" de Georges Perec
"A Noite de São Lourenço" de Paolo e Vittorio Taviani
"Hamlet" de Lawrence Olivier
"O Instinto duplicador" de Daniel Boorstyn
"O Homem de la Mancha"
desenhos de Keith Harring
"Viagem ao redor de meu quarto" de Xavier de Maistre
Revista Dundum n§ 1
Texto final livremente adaptado da
"Carta ao pai" de Franz Kafka
 
HISTORY
Filmed in Porto Alegre, from 09/24 to 11/10/2001.
Last scene filmed at Rio de Janeiro, in 11/06/2001.
Edited and finished from november/2001 to december/2002.
First copies in January/2003.
National premiére in 13/06/2003.

THE MAN WHO COPIED

13/06/2003